
Tuesday, 22 December 2009
Christmas Celebration @ Joo Chiat

Wednesday, 21 October 2009
Estate Upgrading Programme Completion Celebrations
Friday, 25 September 2009
Wednesday, 6 May 2009
Days of Being Wild- 阿飞正传
".....Why Joo Chiat? What you do like about Joo Chiat?....."
I guess, it is probably the feelings from the movie
Monday, 4 May 2009
Joo Chiat Square
Saturday, 2 May 2009
Japanese Culture Part 3
Community Music Fiesta – Japanese Instrumental Music & Japanese Cultural Fair
A)JAPANESE TRADITIONAL MUSIC
SHAKUHACHI
"Shaku-hachi" means "one foot eight" (about 55 centimeters), the standard length of a shakuhachi. Other shakuhachi vary in length from about 1.3 shaku(feet) up to 3.3 shaku(feet). (The longer the shakuhachi, the lower their tone.) Although the sizes differ, they are all still referred to generically as "shakuhachi". Shakuhachi are usually made from the root end of Madajke bamboo and are extremely versatile instruments. They were used by ex-Samurai monks who became Zen Buddhists and practiced SUIZEN(blowing meditation). It has a soulful sound. Shakuhachi can convey a great range of emotions due to its rich tones and the skill and subtle movement of the players.
TAIKO
The Taiko is a percussion instrument and has been an important instrument since ancient times. Taiko was originally used for various festivals, prayers, ceremonies etc. There are different types of Taiko and various ways and styles of playing them. Nowadays there are modern types of Taiko performances and it is getting more popular not only in Japan but in the world. Taiko is not just about music, but it is regarded as a performing art and a port also.
KOTO
The Koto is a traditional Japanese stringed musical instrument derived from the Chinese zither (Guzheng). The most common Koto is about 180 centimetres (71 in) long and has 13 strings that are strung over 13 movable bridges along the length of the instrument. Players can adjust the string pitches by moving these bridges before playing, and use three finger picks (on thumb, index finger, and middle finger) to pluck the strings.
B) PLAYERS (* 3-10 players for each session)
UENO Koshuzan
Shakuhachi(Japanese Bamboo Flute) Master / Special Advisor for Cultural Exchange
Ueno Koshuzan started playing the shakuhachi at the age of 14. He first learned Japanese Minyo (folklore) shakuhachi and then entered the Tozan Ryu Shakuhachi School (head-quarters in Kyoto). Tozan Ryu is the largest Shakuhachi guild in Japan founded by Nakao Tozan in 1896.
He was given the title of Master player ‘Dai – Shihan’ status from Tozan Ryu. He learned to play the shakuhachi from Master Yagi Kozan and later from Japanese living treasure Yamamoto Hozan.
He is the only shakuhachi master living in Asia outside of Japan. He is based in Singapore, and he has played the shakuhachi in many countries, and performed as a soloist with the Singapore Symphony Orchestra (SSO) and Singapore Chinese Orchestra (SCO) and performed at WOMAD. He has been lecturing music at NTU/NIE, and hundreds of his students have become teachers at primary and secondary schools in Singapore after graduating from NTU/NIE with the knowledge of Japanese music.
Japan’s Agency for Cultural Affairs designated Ueno Koshuzan, as “Special Advisor for Cultural Exchange” to promote the appreciation of Japanese culture in other parts of the world. The program also includes activities to build and strengthen networks among cultural specialists in Japan and overseas. Ten individuals, including Ueno Koshuzan, and five groups were newly designated as “Special Advisor for Cultural Exchange” this year.
Ueno Koshuazan, as Special Advisor for Cultural Exchange, will hold live performances of Japanese traditional instruments and workshops at primary and secondary schools, and polytechnics in Singapore as well as local community centres from February to April 2009. Through these activities, he will introduce Japanese traditional culture and classical music to Singaporean society.
Namiko SAKAI
The Leader of TENKO (Taiko Drummer)
Namiko SAKAI set up TENKO with her family and gradually increased the group members. As the leader of Tenko, she has been leading the group actively performing Japanese Taiko at various occasions as well as promoting Taiko by conducting workshops at schools and organizations. She has been performing with other instruments, and with various groups including People’s Association Youth Chinese Orchestra and Singapore Philharmonic Winds.
HASHIDA, KOBORI, TOYOHASHI, NAGAIE
Japanese Association Singapore, KOTO group (Koto Player)
Since their debut at the Japanese Cultural Society’s annual Festival in 1994, JAS koto Group has been invited to perform at various events, especially educational and community events. With members coming from the various schools of Koto music such as the Ikuta-ryu and the Ymada-ryu, these koto enthusiasts hope to promote cultural exchange through the appreciation of their chosen instrument’s soothing traditional music.
LIAN, CHUA, LIM
Shakuhachi Ensemble (Shakuhachi Player)
The Tozan Ryu Singapore Shakuhachi Ensemble was formed in 1995 with Master Koshuzan Ueno as the ensemble teacher. The current ensemble has more than 10 members including 5 active players. They have been performing with Koshuzan UENO for various events such as Hokkaido Tohhoku Matsuri Concert in the Esplanade together with The Fukunone Trio in December 2005.Information supplied by: Joo Chiat Youth Executive Committee
Sunday, 26 April 2009
The Chendol

Swinging in the heartlands
Though the tickets were free to public, I understand it was actually sponsored by National Arts Council. Nontheless, it was a swinging good time for me as much as it were for the rest fo the audience crowd.
My favourite tune was one with the (Italian?) title that means "Speech to oneself". It is a tune that has an Oriental-Asian fusion twist to it. And it was composed by non other than Jeremy Monteiro, "Singapore's King of Swing".
Here are the rest of the pictures I took.
Oh and yes, dinner (from Kinara) after Jazz concert. What a way to enjoy a Saturday evening!
(Note: Even as I was writing this entry, I was tuned into the jazz channel on iTunes Radio!)
Tuesday, 21 April 2009
Monday, 20 April 2009
Chendol
Soon after, I found myself seated in front of a desert stall (真好吃 Ken's Delights #01-01) in Dunman Food Centre. What caught my attention really was the $1.50 price tag for the chendol as opposed to the $1.00 price tag for the ice kachang. I gathered there must be something specical with the chendol and went ahead to order one.
I was right. The chendol was plain heavenly, endowed with rich coconut milk (or should I say paste?) coz it was really, really thick to be called milk. I know, I know, the high cholestrol thingy, blah, blah, blah....... But it was simply too good to not eat it! And the red beans are double the size of what is normally served for regular chendol.
I took a snapshot of it; but realized just 10 minutes ago that somehow my SD card was corrupted and the picture was not retrievable.
Ah ya... Never mind, I can probably give myself another excuse to have one more bowl this coming saturday! (and oh yes, take another picture)
Saturday, 11 April 2009
Fritz Quartet at Joo Chiat Square
Friday, 10 April 2009
Thursday, 9 April 2009
Interesting Read- Joo Chatters
Want Some Jazz?
"One Night Only - Entry by Tickets Only"
Start Time: Saturday, April 25 at 7:30pm
End Time: Saturday, April 25 at 8:45pm
Where: Siglap South Community Club
To see more details:
http://c1.shownearby.com/joochiat/jeremy-monteiro-friends-swinging-in-the-heartlands
To RSVP, follow the link below:
http://www.facebook.com/n/?
Monday, 6 April 2009
Thursday, 2 April 2009
Cleaning up Joo Chiat
Read more from: http://www.todayonline.com/articles/311607.asp
Wednesday, 1 April 2009
Colourful
The best way to enjoy Joo Chiat/ Katong fully is to take things slowly, without the need for broadband-speed activities we are accustomed to. Take a slow walk on a Saturday afternoon along Joo Chiat Place and you will be rewarded with a colorful palate as such, akin to tasting the wonderful flavors of Peranakan kueh-kuehs.